Volver: Femininity at its Finest

Volver is a slap on the face of machismo in Spain. In a country known steeped in machismo, a film that tackles femininity through the daily problems of a typical family can seem quite odd at first. It can even be compared to mainland Chinese being expected to teach other people how to use Facebook when they are banned from using Facebook themselves.

However, Volver successfully captures the essence of feminism shockingly well. Its dark but funny script makes for a memorable experience that women from all corners of the world would surely find enjoyable.

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The female characters in the film prove that it is possible to exude strength and power even in a society where women are taught to stay home, sit pretty, and satisfy their husbands’ sexual desires. In fact, Raimunda does the exact opposite of all these things. Being the best mother she can be, Raimunda works to support her daughter, Paula. She even rejected her husband, Paco, when he came on to her one night. Perhaps because of this unmet sexual need, Paco chose to force himself on Paula. But we all know this was a stupid move done by him which cost him his own life. Well-deserved, if you ask me.

volverAfter Paco’s death, Raimunda’s life changed in a good way. She did not just become the head chef of a restaurant, which she became very passionate about, she also became a happier person– singing with a band on a random Spanish street. Without a doubt, the male characters in Volver were antagonistic, unreliable, and useless. Raimunda’s father did not just rape her, he also cheated on his wife with a different woman. Aside from this, Sole’s husband left her without notice. And as we already know, Raimunda’s husband lost his job and then attempted to rape his own daughter.

film__3144-volver--hi_res-fa2b66bbUltimately, the way the male characters slowly eased out of the film and were not really given much attention to shows how they don’t really have that much importance to the women they left behind. A sense of sisterhood and of female togetherness were enough to support one another and carry on with their lives in flying colors.

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Moreover, there were a lot of topics present in the film, including incest, sexual abuse, and motherhood. Aside from these, I believe that self-fulfillment was also an important factor which contributed to the women’s identities. Although women were not supposed to work, Sole had a successful salon hidden in her apartment, which she enjoyed very much. Besides this, Raimunda’s restaurant was a hit to her customers, which brought her great achievement. This says a lot about the significance of finding something that you are passionate about, which can also define you as a person. I can relate to this as my philosophy in life. For me, it’s not enough to merely survive, you also have to make something of yourself in order to live. How Sole and Raimunda were able to do this in a society which restricted women from doing so explicitly demonstrates women empowerment. Above all, Sole and Raimunda give me hope that if they were able to become successful women given the society they were in, what more, I?

Clouds of Sils Maria: an Eyegasm

The Clouds of Sils Maria, I can say, was a different experience. It was very obvious, for me, why it is considered an art film. The beautiful sceneries that were shown in the film, as well as production elements, such as the set design, lights, camera angles, shots, etc., all worked together to form an eyegasmic masterpiece.

4480822_3_e877_ill-4480822-ccf5-rea-221352-001_0cbc6f79e9abbfc80e979c2b7e4410e4Featured Image -- 2160cloudsJust by looking at the pictures…seriously, wow!?!!!

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silsmaria2For someone who loves traveling and seeing nature, like myself, The Clouds of Sils Maria can never go wrong. I really felt as if the film brought me to Europe, where the characters were, but my aching back from slouching while watching the film reminded me that sadly, I was still in the Case Study Room of the Social Sciences building. So, I made a promise to myself that if ever I get the chance to visit any of the 3 countries that they shot in, Germany, Switzerland, or Italy, I would surely visit the sights that I saw, most especially the “snake”. But unlike Val, I hope to not mysteriously disappear.

In a way, the film reminded me of Michelangelo Antonioni’s L’Avventura (1960). Despite the lack of closure and explanation for the characters’ disappearance, I still enjoyed the film in its entirety. The landscape and nature shown were very appropriate for the film. I liked how there was an extreme manipulation with the clouds, that despite the big drama caused by Val’s mysterious disappearance, I somehow found myself at peace while watching the clouds pass through the mountains.

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The film touches up on a lot of interesting topics. I really liked that the film had a meta 3-part style that shows the changes in age and maturity of the characters in each part. As someone who wants to be in the show business and coincidentally afraid of getting old, I can say that the film scared me a little bit. From being the star in people’s eyes, who everybody adores, to not being the star and just staying in the background, Maria Enders’ life reflects the painful truth in the industry. Celebrities come and go, and they become has-beens. One day, people like you and the next day, they don’t. But, you have to accept that.

CloudsSilsMariaKSHowever, I enjoyed the constant exchange of lines between Maria and Val while rehearsing for Maloja’s Snake. It was fun to watch especially because it reminded me of how my sister and I practice her lines for her movies. Although, the tension between Maria and Val while rehearsing for Maria’s lines became confusing, for me. Maybe it was because of the hints of lesbianism within both sets of characters: Maria-Val and Helena-Sigrid. Just like in Holy Motors (2012), there were times when the distinction between acting and real life became unclear. Somehow, Maloja’s Snake came to life and reflected the reality of Maria and Val.

I can understand why this film received so many awards. The awards, the story, and the underlying messages of the film prove that Clouds of Sils Maria is worth the watch. And that indeed, Clouds of Sils Maria is a masterpiece.

Heavy Trip: Truths of Life

I’m probably one of the many people in the class who favor Heavy Trip the most among all the films that were shown to us. But when I first found out that we would be watching a film about a heavy metal band, I did not expect to like it at all since I don’t really listen to heavy metal music. Little did I know that I don’t have to be a fan of metal music to enjoy this film. In fact, Heavy Trip is a film that, in contrast to our notion of heavy metal music as dark and atheistic, is actually very light and funny. But beyond its comedic quality and referential humor, Heavy Trip reflects a lot of truth in the world, which we can all learn lessons from. Certainly, the film does not just revolve around a Finnish heavy metal band wanting to become famous, it’s actually a whole lot of other things. Above all, it’s a feel-good film that I can watch over and over again.

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First, it’s a film that defies norms and stereotypes. In my experience, the film defied my expectation of how it would make me feel. Similarly, I thought the main characters, also the members of Impaled Rektum, would be reckless and self-destructive human beings, but they were actually very loveable. They’re a bunch of soft, sensitive, and timid personalities who are only trying their best to achieve their dream in life. After all, who would’ve thought that a vocalist of a heavy metal band could also be caregiving for psychiatric patients? Indeed, the film teaches us to not judge something or someone so easily despite preconceived notions, because if we continue to do so, we might just become like the band’s toxic community.

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This brings me to my second point, that the film is about an underdog’s tale of redemption. In their small conservative town, Impaled Rektum was looked down on. They were called Satanists and considered outcasts in the community. Given that they had long hair, they were called “homos,” which was regrettably a term used to put them down. They were praised when the people thought that they’d be going to Norway but automatically ridiculed again once the people found out this isn’t true. Thankfully, the band didn’t need their validation and acceptance to achieve their dream, which they were able to do so eventually. And this teaches us to pursue our passion no matter what other people may say. We must also learn to celebrate outcasts and embrace our identities even when it does not conform to society’s expectations. In the end, the people who try to put us down are the same ones who beg for our help when we’ve proven that we’re better than them.

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Lastly, Heavy Trip is a film about trust. It’s about trusting each other and having a sense of brotherhood. It’s undeniable that they couldn’t have performed in the Northern Damnation without the help of each and every member. And this is why this film is probably the only one that I’ve watched where a corpse went crowd-surfing. It reflects their love and respect for one another that despite Jynnky’s death, his mere presence still gives them a sense of courage and fulfillment.

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Raw: the Mighty Justine

Similar to how Trollhunter was a new take on the old mythical creatures, trolls, Raw, too, was a new take on an old favorite topic, cannibalism. Using Silence of the Lambs as my context, Raw really was a different experience. Of course, Hannibal Lecter looks much scarier than the innocent-looking Justine, no one would guess that she’s actually a cannibal. Raw is still pretty much a horror film. Yet, the film is more than just that. The film also touches up on an awakening of the self and a coming-of-age. Somehow, this acceptance of the self also exudes feminist ideals in a very clever way.

f732fa_0690afc6f8ca4a239ec032524f1f44bb_mv2Raw is probably one of the most disturbing films I have watched, along with Apocalypto (2006) and Jeepers Creepers (2001). The scenes when Justine ate a raw rabbit’s liver, when Alexia was trying to give Justine a bikini wax, when she cut her finger off and Justine ate it, and when they were at the morgue (I can go on and on…) are among the plenty scenes that are just way too much to handle, I had to cover my eyes. However, different from the other disturbing films I mentioned, Raw had some quirky and comedic scenes, which help make the film more dynamic and fun to watch. An example of this would be the iconic scene when Alexia and Justine peed while standing up. The whole class burst out laughing, and I laughed with them. It might come off as a joke on the surface. But now, when I think about it deeper, the scene actually hints to women empowerment: indeed, what men can do, women can do too!

LeadingBelovedArabianwildcat-posterIt is true that college is a time of self-discovery. And Justine demonstrates this explicitly. During her time in college, she did not just have a complete 180° transformation from being vegetarian to straight up cannibal, she also had a sexual awakening. Justine’s solo dress-up grinding scene in front of a mirror was weird and quite funny, to be honest. But it can also be considered as one of her ways of exploring herself and trying out new things, no matter how strange it may seem. Justine’s 2 major awakenings were both manifested in her sex scene with Adrien. Not only did she lose her virginity in that scene, but she also ecstatically bit her own arm for satisfaction. A coincidence? I don’t think so. This scene was ingenious and well-thought-out, in my opinion, as it successfully encapsulates Justine’s new-found identity.

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The fact that the condition traces up from her mother to her sister, expresses female power. The men in their lives, such as her father and Adrien, learned to live with it with no conditions. The way Justine gave in to her desires and embraced herself despite it being a challenge to social norms illustrates a sense of might, power, and courage. And with her father’s expression of acceptance towards her identity by showing her his scars at the end of the film, surely, nothing can stop her now.

The Edukators: the Unedukated

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edu3If there is one thing that I was edukated on from this movie, it is that I would not want to be one of the edukators. Though it can be said that they were fighting for an ideology that I also believe in, which is anti-capitalism, I do not believe they were able to carry out this revolt in an appropriate manner. In my opinion, an appropriate way for revolting would be presenting a solution to the problem. For me, messing up rich people’s houses, turning their furniture upside down, and leaving threating notes such as “Your days of plenty are numbered” does not quite hit the mark. Yes, it may scare the capitalists for a while, but eventually, they could just hire cleaners to clean their house or security personnel to protect them, and automatically undo the damage that has been done. After all, they are powerful like that. Because of this, the edukators’ form of “revolt” comes off as childish and immature, somewhat an empty gesture. It is melodramatic in a way that they find so much success and fulfillment in every house that they trash, as if it actually abolishes the capitalist system in the world. I know that other people might say, “at least they’re doing something.” But for me, what is the point of doing something if it does not reinforce your motive for doing it, anyway? The only effect that I can think of about their “revolts” is that they feel good about themselves afterward. It is ridiculous and selfish for me, a waste of time, and a waste of energy. Had they chosen to not make use of violence to propel their idealism, maybe their “revolt” would actually make more sense and make an impact on something.

Screenshot 2019-05-21 at 13.32.07Another reason which makes their “revolts” all the more nonsensical, is the fact that they even became indebted to someone they brought torment to. After kidnapping Hardenberg, they realized they really have no plan whatsoever, and the best thing to do is beg Hardenberg to not press charges against them for what they have done. Thankfully, he chose to stay quiet when he had all the right to sue them. Ironic, is it not? Not just ironic, but also hypocritical how the edukators preach about the common good, yet find themselves in a love triangle caused by a disrespect for someone’s dignity and trust. Jan and Peter were best friends, for crying out loud! If Jan and Jule could think of hurting Peter, someone who loved and cared so much for them for so long, how different are they from the heartless people they are so against?

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When I thought about writing this review, I really did not want it to have such a pessimist tone to it. To be honest, I want to see the positive side of the edukators’ propaganda. I want to understand their motive in a more optimistic way. But sadly, I cannot find myself doing so. All I can say is, maybe the edukators are the ones who need to be edukated.

Timecrimes: a Roller Coaster Ride

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Timecrimes or Los Cromocrímenes directed by Nacho Vigalondo is truly a must-see film especially for those who are into time traveling. It presents a different perspective to these types of movies which typically gear towards emotional, scientific, and action, such as The Time Traveller’s Wife, Interstellar, and The Terminator. Instead of following the plot of these popular movies, I think that Vigalondo took a risk when he decided to make a time-traveling film that has a thriller/horror genre.

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maxresdefault (1)DUt0x9HU0AIpSwPHow the movie turned out eventually was not really what I was expecting at the beginning. There was no sense of adventure at the start of the movie. Having an old man with a big stomach who likes lounging on his deck chair, and has sexual engagements with his wife as the protagonist of the film, I thought the movie would revolve around Hector and his perversions. After all, he looked like a “dirty old man”. And the scene where he was spying on the woman who was stripping in the woods only affirmed this thought. But all of a sudden, the film became a bit more mysterious and weird when the naked woman was shown lifeless, lying down on the rocks. And the appearance of the man with a bloody bandaged face gave the whole class a jumpscare. The scene exemplifies the saying, curiosity killed the cat. Now we know, if ever we see a woman getting naked in the middle of the woods, do not follow her! The movie also made me think about the ugly outcome of the woman who only tried to help Hector. In the end, she was used, abused, and even sacrificed. The movie made it understandable why a lot of people have trust issues, who can blame them?

I’m not really a fan of horror movies so I was strategically covering my eyes in the scenes that followed this. Thankfully, the fear that we were all feeling came to an end when we realized that it was in fact, a time-traveling movie and that the man who was trying to kill Hector was none other than Hector himself, only older by a few hours. Thus, it can be said that the genre changes as the different Hectors are explored in the movie. From jumpscares, horror, tension, to time traveling and sci-fi, and then ending with somewhat a thriller, suspense, and danger, the movie really was quite a roller coaster of an experience!

Although the film was made with a low budget, it sure it did not feel like so. The fact that it won an award for best picture only proves this. All in all, the movie was successful in conveying the different emotions and feelings of the story. It left me with a question in my head: What started the loop? How did it all start? Although mind-boggling, the timeline was presented well, and it surely leaves the audience with their own interpretation, which I find appropriate for this movie. I might have felt confused, but it was a good kind of confusion which kept me at the edge of my seat, excited to watch even more.

Trollhunter: a New Take on an Old Fairytale

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When we were told that the class would be watching the movie, Trollhunter, I thought I would be watching a film just like Ghostbusters (2016). I was a bit disappointed at the start of the film because I realized that unlike Ghostbusters, Trollhunter would not involve cool gadgets and funny action scenes. Despite this, I came to appreciate Trollhunter for the movie that it is. I can only imagine how much fun the director of the film must have had while making it. The film even gave updates on the situation of the characters in the end to somehow tell us that the film actually happened and the people in it are true. I really liked that the film was a mockumentary. This gave so much authenticity to the film that it almost had me fooled. Even when we all know that trolls are mythical creatures that do not exist, I started to question this. What if trolls actually exist in that part of the globe? Maybe that’s why there are a lot of weirdly-shaped rocks in the forest because those were trolls that have been hit with light. My sanity tells me, maybe not.

leappad-dreamworks-trolls-game_80-490600_1Another thing that I thought of when I heard the title, Trollhunter, was that maybe it was going to be a cute movie. Given that I watched the movie, Trolls (2016), a fantasy-adventure movie with lots of singing and dancing, I was shocked about how ugly and terrifying the trolls were portrayed to look like in the film. They were mean and even killed one of the characters. It was a good thing that the main characters did not die because the movie would end up being even more tragic.

The film can be described to have a genre that is a horror/thriller. The CGI effects of the movie were very good, in my opinion, and scared me a little bit. The trolls seemed real next to the human characters, which made the film more exciting. The plot of the film was also very interesting. I liked how there was some sort of biological and scientific explanation to the trolls. It was nice to think that trolls are real especially because of how they were described in the movie. They were just like regular animals, mammals, that mate, and that have different classifications. Some live in the mountains, and some live in the forests. The different types of trolls meet up somewhere and throw rocks at each other. I wish the film showed a clip of the trolls fighting with one another, this would have given the film a Lord of the Rings/Narnia vibes.

All in all, the movie was a fun experience. It gave a new and different perspective on the old mythical creature. Among all the European films that we have watched in class, I can say that this one is among my favorites. It is quite a thriller but still a feel-good movie that is perfect to watch on a lazy night.

Holy Motors: a Metaphor of Life

260px-Holy_MotorsTo say that Leos Carax’s film, Holy Motors, is a very memorable movie to watch is quite an understatement. I found myself still reflecting on the movie minutes before I went to sleep. The movie is truly a unique one. Of course, as all European films we have watched in class, the movie was weird and confusing. Despite my confusion, I enjoyed watching the film. The movie was marvelous, vibrant, witty, different, and puzzling. Personally, there was not a dragging moment. I was always looking forward to the next role he would play every time he gets in the limousine.

2029023565Screen-Shot-2012-10-22-at-3.42.06-PMI felt excited for every role that he had to play. I want to be an actor myself once I step out of college, but if to be an actor means that I’ll be subjected to terrifying roles that involve biting a production assistant’s fingers off, among others, I think I would rather not work at all. But if it means that I get to live in Paris as well and be driven around in a white limousine, then maybe I’ll think about it. All jokes aside, Monsieur Oscar had a really challenging job. He proves that to be an actor in his world, one must really have the passion and the guts for it. It must really be tiring to pretend to be someone who you are not every day of your life. I think this poses a threat to one’s identity, especially in the film, where it felt like Oscar did not have a real identity. I wasn’t able to distinguish right away whether he was playing a role or being his real self. For example, I thought that was his real identity when he picked up his daughter from the party. It turns out he was also just acting in that scene. I was also confused when he saw his lover, if they were really acting or not. Above all, I was confused by how the limousines started talking at the end of the movie.

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The movie is a work of art. Even more so because many of the scenes in the movie are references to other works of art. For example, the scene wherein Carax opened a door in his bedroom which looked like a dense forest was a reference to Dante’s Inferno. Meanwhile, the scene where the limousines started talking to one another was a reference to Pixar’s Cars. The film used cinema as a metaphor for the journey of life. And it can be said that watching the movie immersed us into Carax’s movie-educated-eyes, his journey on filmmaking and using other films as inspiration (French, 2012).

Given that the movie was used as a metaphor for the journey of life made me realize that playing different roles and having different tasks to complete every single day really do reflect life. Our daily routines and the choices we make reflect our identity—our purpose. Despite the many challenges that we face, like Oscar slowly losing his passion for acting, we must always remind ourselves to keep true to our goal. We may have to play different roles, one by one, to bring us to the ultimate role that we want to play in our life. I can only imagine that Oscar is working as an actor and doing all those silly, mind-boggling, roles so that he can be the father that he wants to be and to provide for his real family.

French, P. (2012). Holy Motors – review. Retrieved from: https://www.theguardian.com/film/2012/sep/30/holy-motors-philip-french-review

 

 

 

L’Avventura: Sandro’s Toxic Masculinity

The film was very artistic in the way that the scenes made use of beautiful images. The film was also black and white, which added to the dramatic effect of the film.

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It can also be said that the film can teach its viewers a lesson or two about life. First and foremost, closure is important. The film starts by showing the love story of Sandro and Anna. But then, Anna goes missing. In Sandro and Claudia’s (Anna’s best friend) attempts to find her, they fall into a love affair with each other and somehow forget that Anna is missing. This made me feel so uneasy and uncomfortable the whole time because I was just waiting for Anna to reappear again or maybe for the characters to talk about her again because it felt like the character and the situation just suddenly vanished. Had they given the viewers some kind of explanation as to how Anna disappeared and suggestions that they would not continue the quest for her anymore, then maybe I would have enjoyed the movie more. But, this teaches us that we don’t get everything we want and are expecting. Just like in real life, there are some things that we just do not know the answer to. Some mysteries remain mysteries until the end of time.

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For me, the movie reflects toxic masculinity. I was bothered by the way Sandro just kept changing partners not long after his lover went missing. The image where Sandro was sitting down on the bench while the woman was standing up beside him when it was clear that they could both be sitting down on the spacious bench, shows that men are superior over women in the film. There was no sign of chivalry at all. Sandro played with women and used them as a distraction for Anna’s disappearance. Sandro gave up searching for his supposed significant other. He lost interest and patience so quickly in finding her. It may be sad to say that Sandro reflects an aspect of our life that we cannot control. Sometimes, we lose interest and passion in something that we thought we’d always love forever. Sandro proves that for some people, it is very easy to replace relationships and find new things to care for. Sandro proves that in a relationship between two people, there is always someone who gives more and receives more. In the movie, it seems like Sandro was the one who took Anna for granted, maybe that’s why she chose to disappear.

The only thing that I like about the movie is that it teaches us to learn how to move on and be comfortable with being uncomfortable. It is inevitable that there are questions that we would never know the answers to no matter how hard we try. I also learned that there are some irrational and unreasonable people who we will encounter in our life, but it’s best to accept this because life goes on. Some people try to be unapologetic because they think it’s okay to broken, since everyone is broken in their own way anyway. But personally, I think we should avoid the likes of Sandro. We must always try to be the best versions of ourselves and face life with a deep sense of ownership and responsibility.

 

 

Goodbye, Lenin: Lessons on Love

83894-jqemzeyziv-1520421814The film, Goodbye Lenin! is one of the most comprehensible movies that we were tasked to watch in class, next to A Woman is a Woman. For me, being able to understand the plot of the film gives the viewer a deeper sense of appreciation for the movie. The film was still quite peculiar (I’m starting to think maybe all European films are…), yet I was able to enjoy it much more than the others. The film was comedic, historical, and dramatic all at the same time. While there were times when I’d find myself laughing along with the whole class during funny scenes, I also found myself learning and being interested in the fall of the Berlin wall. Not just this, I also felt sad when Christianne died at the end of the movie. I think the class felt quite sad too as I was able to hear sniffing sounds, as if crying, from the people behind me. This just goes to show how Wolfgang Becker’s movie was successful in capturing the audience’s attention. Personally, the film taught me a few things about different types of love.

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The first and I think the most obvious one, Goodbye Lenin! showed the lengths that a son would go through for his mother. Because the doctor told Alex that Christianne could not feel any deep emotions after waking up from her 8-month comatose, Alex chose to hide the truth from her. He went through the hassle of redecorating the newly renovated apartment to convince her that nothing has changed. He came up with phony videos with his friend to relieve his mother from her doubts after she saw a Coca-cola advertisement. He even got a taxi driver to play the role of Sigmund Jahn and cause a commotion in a public library. Aside from this, he was patient enough to buy groceries and repackage them every time. Though we can say that Alex somehow manipulated his mother and her surroundings, he did this with good intentions. It’s safe to say that maybe Alex’s motto in life is, “A little white lie never hurt nobody.”

image1357297_origAside from Alex’ love for his mother, the film also shows the characters’ love for their country. Alex met his girlfriend during a rally, that he was willing to be part of and even got beaten up for by the police on national television. His mother, on the other hand, cares for the country and the regime so much that knowing about the changes pose a risk to her health. Despite Christianne’s situation, the film showed how resilient the characters were and how quickly a nation can adapt to the sudden changes in the country. We saw that Alex’ sister, from being a scholar, got a job at Burger King, found a new boyfriend, and redecorated their apartment with new and modern pieces. Meanwhile, Alex enjoyed strolling around with his girlfriend and finding empty houses to stay overnight.

The way Alex allowed his mother’s ashes to burst in the air, along with the firework, says a lot about the message of the film. For me, it symbolizes how change should not mean negative things all the time. We must accept the changes in our lives and maybe even celebrate them. We should let our anxieties and our worries disappear in the air just like a firework.