Goodbye Lenin (2003)

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This film was the closest to the western cinematic style that we have grown so accustomed to watching. The timeline and transitions throughout the movie were quite engaging, especially with it’s historical structure. Previous films we’ve been viewing in class had an incredibly abstract shots that were either to be interpreted deeply or from a shallow perspective (as is). Surprisingly, trying to understand that a certain element of a film could really have no significant meaning was the most difficult part.

Wolfgang Becker made use of Germany’s history. He also put clear distinction between all of the main characters. Alex trying to shield his poor, ill mother from the truth of their country. Trying to shield her from this new version, this different version of Germany…

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The Five Obstructions (2003)

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This film was the most inspirational film we’ve watched so far. The director is not happy with himself. This film was a true expression of a struggling artist with an internal battle with himself. He was just trying to satisfy others. He has a vision, but it is overshadowed by the demand. Please, please, please. His first few obstructions didn’t go beyond that. He was struggling to meet the bar standard that was being set up for him. And it was only himself that was setting the bar.

It was an amazing first obstruction. The people were lively and authentic, the music upbeat, the cigar was extra smokey. Even the monkeys gave a strong atmosphere as well as direction to where the film was going. The perfect man. What the perfect man does. How he eats, sits, and breathes. I was sad that we didn’t get to see much more…

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L’AVVENTURA (1960)

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What happened to Anna? In the opening scenes, the plot seemed to revolve around Anna. She was the daughter of an important man, partner of a rich character, the leader of her friend Claudia. She was beautiful, and her personality was incredibly strong. She made tiny bits of fusses and drama that one would think to be significant for the greater scheme of the story. She seems to love her boyfriend, Sandro, who also appears to have a deep passion for Anna. They make love during the first few minutes of the film as Claudia is visible through the window curtain. It seemed as if Sandro only had eyes for Anna, in the way he doted relentlessly after her before the plot escalated.

The scene moves to a group of elite people on a boat, going for a ride to islands in solitude. Anna is acting quite shifty. She seems…

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Persona

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The scenes were scattered throughout the duration of the film, ridding it of boring timelines. The pacing of the film was enough for me to continue to pay attention to the smallest of details, some that I feel held the most meaning. Some scenes were cut to inject dramatic and surprising emotions suddenly at important points. In the beginning alone, the sound of the nail being pounded into the man’s palm or the blood draining from the neck of the lamb just puts a steel hold on your attention. You truly want to look away, but I could not in fear of missing something.

What carried the scenes were the main characters, Elizabeth Voulgar and Sister Alma. They seem quite opposite in terms of their personality. Elizabeth, an actress on a silence strike versus Alma, a simple nurse who could not keep quiet. But their time in the beach house…

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A Woman Is a Woman (1961)

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“A Woman is a Woman” was the first French film I’ve ever watched. The style seemed very old, and was nice to observe dated design of this European movie. There were good aspects, as well as bad parts alike to anything in life. While I admittedly was confused while watching majority of this movie, I do have some commentary about my experience watching.

One prominent aspect of the film was that the music was abruptly starting and stopping. It didn’t aid the dialogue very much. It actually almost distracted me from the scenes, which didn’t have very smooth transitions. I’ve never really appreciated the significance of transitions between segments of a film until I watched Angela bicker with Emile and then kiss passionately in a choppy clip immediately after. Besides that, I found the long panning around the room to be uninteresting and dragging, still drawing my attention away from…

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Volver de la Muerto

Volver in my opinion is the best film from the selection of films we’ve watched. I watched this film a couple of years back in my high school Spanish class and it was one of the first European films I had been exposed to and definitely was not disappointed. The film although it came out in 2006 tackled a lot of problems women face today well over a decade later. The film starred by world class actress Penelope Cruz boasts it’s cinematic excellence with a ton of foreshadowing scenes. A common cinematic saying I’ve read about states that you should never point a gun unless you plan to fire it (metaphor). This saying means that there are no scenes you or objects/references you should show unless it has purpose to the story. In one scene, Raimunda is being shown from an overview angle washing a knife. That scene may have seemed random but a few scenes later, it is the very knife used by her daughter Paula in self defense against her father, Paco. Now we see more complex forms of foreshadowing when Raimunda finds Paco dead. At first she was shocked and horrified at the sight but then as Paula explains Paco’s attempt at her, you can see Raimunda’s reaction change drastically to a more understanding and calm demeanor. I find foreshadowing the best cinematic tool directors use to give films a more mysterious and exciting element.

I find that the film has it’s fair share of mystery and clues on the outcome of the film as it unfolds but what really surprised me were the plot twists in the film. The film came off as slow in the very beginning with not much happening and rather early on in the film, deaths of who I thought were a major characters, Paco and Aunt Paula. A big theme in the film was death. But it was like a snowball, more and more things were happening in the film until it neared the end where most of the plot twists were coming out. What I liked most about the film was that I wasn’t able to predict the ending. Usually in films, it is rather easy to predict the end. I guess this is what separates the good films from the great, the mysteriousness of the film. The director did a fantastic job with cinematography as well by decking out the film in bright red any chance he had as a way to mask the darkness of the film. The film although dark with so much death, had some sense of excitement and thriller to it. It was an overall good film because it all doesn’t make sense until the very end of the film.

Heavy Trip

Of all the movies, I would say that “Heavy Trip” is the film right up my alley. It tells the story of an aspiring black metal band that hopes to make it big someday. Since the formation of the group 12 years ago, the Finnish ensemble has lacked the experience of performing live. However, after one of the members chance upon meeting the director of a metal festival, their lives take an abrupt turn. After adopting the name “Impaled Rektum,” the group embarks on a journey that surely tugged on the heartstrings of its audience – including my own. “Heavy Trip” was the perfect combination of a success story, and well-timed comedy.

Timecrimes

From its namesake, one can only assume that the film will dabble on time travel. Although many directors have ventured into this genre in the past, what I believe differs Timecrimes from the mainstream time travel movies that I’ve watched is that its protagonist does not travel back many years into the past, however it takes him 90 minutes before the incident he so-recently experienced. As a moviegoer, I normally trace back the steps of the protagonist to paradoxically be a step ahead of the movie. I have the tendency to build up theories in my head of which particular moment resulted to the present.  However, what “Timecrimes” put emphasis on is that every moment, and detail leading up to the present is significant. Therefore, a change in any of these could result in various outcomes. Indeed there were scenes that were predictable, but the film was able to add some twists and turns that still managed to surprise me. “Timecrimes” is a film that reminds its audience of the simple principle of cause and effect.

Trollhunter

“Trollhunter” is André Ovredal’s comedic take on the alleged troll sightings in Norway. The movie revolved around the government’s attempt to conceal the supernatural beings from the human eye. As more of the story is told, the movie even goes as far as to assume that animal herds are involved in this conspiracy. Old footages of trolls were also included in the film. However, there were moments that felt unnecessary during the film. I think that the story could have been told within a shorter period of time. All in all, ‘Trollhunter” is a film to watch for someone with an interest for trolls and comedic relief.  

Holy Motors

I knew Holy Motors was an unconventional film at first sight. The beginning scene was somewhat disturbing, however, the film was mind-boggling enough to keep my attention. The film was nothing short of extravagant. Its charm lied within the grand details that were dream-like, and yet these stories were portrayed to be different versions of an individual’s reality. It’s as though the director directly drew inspiration from his imagination, and strung all of his ideas together to create a film. Although there was no clear plot for the movie, I would still consider it as a masterpiece. It was imaginative, unique, and daring. Watching the film was a different experience, however I think that the story-telling style used in the creation of the movie would not cater to the masses. Holy Motors is a film of acquired, and sophisticated taste. Although I consider films as a medium of art, I believe that this movie is the very definition of abstract.